(E.I.) The Blob, with Augustin Maurs during the Sleepover Experiment at Index Foundation, Stockholm 2019 // (E.I) The Blob at Love, Body and Work -Artistic Research in Uncertain Times curated by Sara Arrhenius, Konstakademien, Stockholm 2021 // (E.I.)The blob at “Animalesque / Art Across Species and Beings” Bildmuseet Umeå, Sweden, 2019 // (EI) The Blob, Annika Larsson and Satch Hoyt sonic visions of another possible planet through Sun Ra’s incantation “Its After the End of the World”.Performers: Annika Larsson (Interactive 3D graphics, voice ) Satch Hoyt (voice, percusssion, flute) Felix Gebhard (electric guitar and synthesizer), Ni Fan (percussion). during ENCORES – music on recurrence, redundancy and surplus,Curated by Augustin Maurs, Teatro Goldoni, Venice, Italy, 2019 // Imitation Study #1 with E.I. The Blob, Annika Larsson and Augustin Maurs // (E.I.) The blob developed together with Kiona Niehaus // (E.I.) The blob developed together with Kiona Niehaus // Alien Laughter - with Swoopophone and Blob - Annika Larsson / E.I. the Blob / Robin Hayward. Music by Robin Hayward during KANÔN, QANŪN, CANON, (...), KW, Berlin 16 Nov 2021 // Annika Larsson, E.I. The Blob, Saralunden & Christer Bothén performing at Non-knowledge, Laughter & THe Moving Image Symposium and Festival, Index Foundation, 2022 // E.I. The Blob, Annika Larsson & Satch Hoyt at Kunstverein Hamburger Bahnhof 25 Nov 2022 //

Documentation by Max Lequeux // Elizabeth A Povinelli online lecture and discussion, 24.11.2022 Aula HFBK Hamburg // Satch Hoyt, Sonic Lecture, 25.11.2022, Kunstverein Harburger Bahnhof // Samuel R Delany, Reading "Among The Blobs" and Discussion, 25.11.2022, Kunstverein Harburger Bahnhof // Annika Larsson, E.I. The Blob & Satch Hoyt1. // Benjamin Janzen, Performing a Rhizom - Domesticated Waters, 2022, Kunstverein Harburger Bahhof // Augustin Maurs, from Nothing More, Kunstverein Harburger Bahhof, 2022 // When We Were Monsters, Steve Reinke & James Richards. Screening and discussion, KVHB 2022 // Denise Ferreira da Silva & Arjuna Neuman, Four Waters Deep Implicancy, Screening and Discussion, KVHB 2022 // The Blood of stars, screening and discussion with Monica Narula, Raps Media Collective, Kvhb 2022 // Olympia Bukkakis, replay 26 NOV 2022 // Reza Afisina talk 25 Nov 2022 // The Joke’s On Us? Laughter, Agressivenes, Populism, lecture by Samo Tomšič, Kvhb 2022 // Live-Sendung "Bonjour Madame" moderiert von Ruth, by Gabriela Guimarães, Kvhb 2022 // Agnes Eeg Olofsson, Performance: Tender Brushing, Kvhb 2022 //

SCREENINGS & TALKS: Grotta Profunda (the moody chasm) 2017 (Pauline Curnier-Jardin - HFBK talk 2020) // 20 Hz, 2011 (Semiconductor) // The Blob of Im/possible Images (Rosa Menkman - HFBK Hamburg talk 2021) // Sunstone, 2018 (Filipa César & Louis Henderson) // N.O Body, 2008 (Pauline Boudry / Renate Lorenz) // Eat fear (2008), Ming Wong (HFBK Hamburg talk 2020) // Next Year / L’Année Prochaine / 明年 (Ming Wong - HFBK Hamburg talk 2020) // Afrosonic Mapping, (Satch Hoyt - HFBK Talk 2019) // Lawrence Abu Hamdan Talk HFBK Hamburg 2020 // Michelle Williams Gamaker, House of Women (2017) (Artist Talk HFBK 2021) //

References: The octopus, 1928 (Jean Painleve) // Quatermass 2 - Enemy from Space, 1957 (Val Guest) // Cheese Mites, 1903 (Martin Duncan) // The Blob, 1958 (Irvin S. Yeaworth junior, Russell S. Doughte) // The Quatermass Xperiment Ak.a The Creeping Unknown, 1955 (Val Guest) // Stephen Dwoskin, Face of our Fear (1991) // Vulpes Laetus 2012 (neozoon collective) // Space is the Place (1974) - Sun Ra // John Akomfrah, „Last Angel of History“, 1995 // Ealing Film-Loops 80-2405 - Interference of Waves in a Ripple Tank // Laser Diffraction and Interference // Ealing Film-Loops 80-244 - Diffraction and Scattering Around Obstacles in a Ripple Tank // Vertical Roll, 1972 (Joan Jonas) // Robert Smithson, Spira Jetty // Reddit Place (/r/place), 2017 // The Big Swallow, 1901 (James Williamson) // Donna Haraway Reads ‘The National Geographic’ on Primates // Jean Painleve 1956 Sea Ballerinas // Jean Painleve 1968 Diatoms // Hans Jenny, Cymatics // The Medium Is The Medium - Nam June Paik clip // Vasulkas: Transformations // Jean Painleve 1936 The Fourth Dimension // Barbara Hammer, No No Nooky T.V. (1987) // Barbara Hammer, Nitrate Kisses (1992) // Gordon Matta Clark - Conical Intersect, 1975 //

Annika Larsson - An experiement revisted (2019) // Annika Larsson, Fear of Flying (2019) // An Experiment Revisited (2019) // AARCHIVESSOUNDD THREE BY ANNIKA LARSSON, "THE SLEEP OVER EXPERIMENT", A SEARCH FOR TEMPORARY MOMENTS THAT ALLOWS SOCIAL STRUCTURES TO BE FLUID, PARADOXICAL AND OPEN. A RECORDING FROM A TWELVE HOURS EVENT AT INDEX FOUNDATION IN STOCKHOLM. 60 COPIES - NUMBERED AND SIGNED // Prologue - Technologies of Laughter, 2019 (Annika Larsson) extract // Prologue - Technologies of Laughter (Annika Larsson) extract // Prologue - Technologies of Laughter, 2019 (Annika Larsson) extract //

The Sleepover Experiment at Index Foundation 2019: // Somniloquies, 2017 (Lucien Castaing-Taylor und Verena Paravel) // Bedtime Stories 1-5, 1976/77 (Harun Farocki) // Die Welt, 2019 (E.I. with Augustin Maurs) // Dirty Pictures, 2007 (John Smith) // Teaser to three short films by Chris Kraus // A dance short, 2013 (JUCK) // Excerpt Belshazzar's Feast, 1984 (Susan Hiller) // You Can Go Crazy for Less, 2019 (Vladyslav Kamenskyy) // Fear of Flying, 2019 (Annika Larsson) // Anathema, 2011 (The Otolith Group) // Oriental Travesty, 2016 (Lap-See Lam) // SCREENINGS & TALKS: Work of Eye, 2014 (Zbyněk Baladrán & Barbora Kleinhamplová) //

SCREENING & TALKS: Marianna Simnett (HFBK Hamburg Talk 2019) // Marianna Simnett (HFBK Hamburg Talk 2019) // Ed Atkins (HFBK Hamburg Talk 2018) // Ed Atkins (HFBK Hamburg Talk 2018) // Brain Science and VR (Michael Gaebler - HFBK Talk 2019) // Parallell I-IV (Harun Farocki) // Canon for Cloned Voice after Diana Deutsch, 2020 (Yutaka Makino - HFBK Talk 2020) //

Effects of Lysergic Acid Diethylamide LSD on US Troops Marching // Experiment with LSD and British soldiers // Laughing Rat // LSD Experiment with an artist at the Department of Physiology, University of Southern California Medical School, 1950 // Laughing Gas, 1907 ( Edwin S. Porter) // Der lachende Man, 1966 (Walter Heynowski,Gerhard Scheumann) // Titicut Follies, 1967 (Fredrick Wiseman) //

DANSE MACABRE, 2020 (Annika Larsson) together with Liv Fontaine, Samir Kennedy and Margrete Thatcher Queen of Soho a.o //

Twice, 2020 (John Smith) // Danse Macabre, Annika Larsson // I am / I was, Barbara Hammer // CZECH CAR OPENING HOPE HUNT, Oona Doherty // HOPE HUNT (and the ascension into Lazarus), Oona Doherty // The Handsworth Songs (1986), Black Audio Film Collective // Subjective Hill (2019), Yulia Lokshina and Angela Stiegler. // Lay them all down, Dana Michel and Tracy Maurice // The Possessed Gaze, Jasmin Schädler // Liv Fontaine // CASPAR HEINEMANN Reading The Devil // 20 Hz, 2011 (Semiconductor) //

Qu’un sang impur, 2019 (Pauline Curnier Jardin - HFBK talk 2020) // Coeurs de silex (Hearts of Flint), 2012 (Pauline Curnier Jardin - HFBK talk 2020) // Somniloquies, 2017 (Lucien Castaing-Taylor und Verena Paravel) // A dance short, 2013 (JUCK) //

A Question of Silence (1982): Directed by Marleen Gorris. // Jean Genet, Un Chant d'Amour (1950) // Ministry Of Silly Walks, 1969 (Monty Python's Flying Circus) // Barbara Hammer, I Was/I Am (1973) // The Skeleton Dance; Disney // Excerpt of Pink Flamingos, 1972 (John Waters) // Derek Jarman's Jubilee 1978 // THE COCKETTES, Tricia's Wedding, 1971 // John Waters, Pink Flamingos (1972) // Jeremy Deller, The Battle of Orgreave, 2001 //

REFERENCE ARCHIVE: TV static noise // BBC News: Air France shirtless bosses flee from angry protesters, 2015 // Return to Work at the Wonder Factory, 1968 (International Communism Organisation) // Strike, 1925 (Sergei Eisenstein) // Hal in 2001 (Stanley Kubrick) //

Europe, 2013 (Annika Larsson) // The Discourse of The Drinkers, 2017 (Annika Larsson) //

SCREENINGS, PERFROMANCES & TALKS: Stadt der verlorenen Seelen, 1983 (Rosa von Praunheim) // Portrait of Jason, 1967 (Shirley Clarke) // Wildness, 2012 (Wu Tsang) // The Ex Wives of Neukölln Present: A Discourse While Drinking, Kunstverein Harburger Bahnhof, Hamburg 2019 //

References: St Louis Blues, 1925 (Bessie Smith) // Bildnis einer Trinkerin, 1979 (Ulrike Ottinger) //