The octopus, 1928 (Jean Painleve) // Sovereign Sisters (The Otholith Group) // The host and the cloud (Pierre Hugyhe) // Filmstudie, 1928 (Hans Richter) // Hal in 2001 (Stanley Kubrick) // E.I. The blob // Enemy from Space, 1957 (Val Guest) // Cheese Mites, 1903 (Martin Duncan) // The Blob, 1958 (Irvin S. Yeaworth junior, Russell S. Doughte) // The Quatermass Xperiment Ak.a The Creeping Unknown, 1955 (Val Guest) //

Vertical Roll, 1972 (Joan Jonas) // Vulpes Laetus 2012 (neozoon collective) // Die Welt, 2019 (E.I. with Augustin Maurs) // On Touching: The Alterity Within, Karen Barad //

Archive Material: Effect of LSD on US soldiers (1958) // Experiment with LSD and British soldiers // Laughing Rat // LSD Experiment with an artist at the Department of Physiology, University of Southern California Medical School, 1950 // Laughing Gas, 1907 ( Edwin S. Porter) // Der lachende Man, 1966 (Walter Heynowski,Gerhard Scheumann) //

Titicut Follies, 1967 (Fredrick Wiseman) // Faces, 1968 (John Cassavetes) // Portrait of Jason, 1967 (Shirley Clarke) // St Louis Blues, 1925 (Bessie Smith) // Tally Brown, New York, 1979 (Rosa von Praunheim) // Europe, 2013 (Annika Larsson) //

Danse Macabre, Annika Larsson // I am / I was, Barbara Hammer // HOPE HUNT (and the ascension into Lazarus), Oona Doherty // CZECH CAR OPENING HOPE HUNT, Oona Doherty // The Handsworth Songs (1986), Black Audio Film Collective // Subjective Hill (2019), Yulia Lokshina and Angela Stiegler. // Lay them all down, Dana Michel and Tracy Maurice // 20 Hz, Semiconductor // The Possessed Gaze, Jasmin Schädler //

Somniloquies, 2017 (Lucien Castaing-Taylor und Verena Paravel) // Bedtime Stories 1-5, 1976/77 (Harun Farocki) // A dance short, 2013 (JUCK) // Teaser to three short films by Chris Kraus // Die Welt, 2019 (E.I. with Augustin Maurs) // Dirty Pictures, 2007 (John Smith) // Oriental Travesty, 2016 (Lap-See Lam) // Excerpt Belshazzar's Feast, 1984 (Susan Hiller) // Crisis Complex: Mark Fisher on the Otolith Group's »Anathema« (2011) // Work of Eye, 2014 (Zbyněk Baladrán & Barbora Kleinhamplová) // Fear of Flying, 2019 (Annika Larsson) // You Can Go Crazy for Less, 2019 (Vladyslav Kamenskyy) //

Reddit Place (/r/place), 2017 // The Big Swallow, 1901 (James Williamson) //

Strike, 1925 (Sergei Eisenstein) // TV static noise // BBC News: Air France shirtless bosses flee from angry protesters, 2015 // Return to Work at the Wonder Factory, 1968 (International Communism Organisation) //

Chronique d'un été, 1961 (Jean Rouch, Edgar Morin) // Uccellacci e Uccellini, 1966 (Pier Paolo Pasolini) // Excerpt of Pink Flamingos, 1972 (John Waters) // Der Geringste Widerstand, 1981 (Fischli & Weiss) //

Clip from the movie Sun Ra- Space In The Place (1974) // John Akomfrah, „Last Angel of History“, 1995 // Shirley Clarke, The cool world //

81-Years-Old Man goes on Rampage with HTC Vive // Ministry Of Silly Walks, 1969 (Monty Python's Flying Circus) //

Donna Haraway Reads ‘The National Geographic’ on Primates // Gilles Deleuze's alphabet book: A for Animal //

Jean Painleve 1936 The Fourth Dimension // Vasulkas: Transformations // The Medium Is The Medium - Nam June Paik clip //

Jean Painleve 1967 The Love Life of the Octopus // Jean Painleve 1933 The Sea Horse // Jean Painleve 1968 Diatoms // Jean Painleve 1956 Sea Ballerinas //

Microscopy video of light-producing symbionts in Hawaiian bobtail squid // 2016 Anthropocene Consortium Series: Donna Haraway //

Space is the Place (1974) - Sun Ra //

Ming Wong, Next Year / L’Année Prochaine / 明年 // Ealing Film-Loops 80-2405 - Interference of Waves in a Ripple Tank // Karen Barad: Undoing the Future // Ealing Film-Loops 80-244 - Diffraction and Scattering Around Obstacles in a Ripple Tank // Laser Diffraction and Interference //

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